The one hundred and twenty-fifth classical recording: #680 Igor Stravinski - Pulcinella
There is something quite stately about parts of this ballet, a deep and overwrought sound that contrasts with the more delicate ballet. At the same time, the reliance on commedia dell'arte concepts adds a levity to the proceedings, so that the chase sequence is fast paced and humorous. It's a decent and varied piece without the visuals, but quite unpredictable in how it develops, building less than other pieces do. Obviously, the visuals add a lot to it, and even if, like me, you're not constantly watching it, some glimpses help set the scene.